Banner Art detail: Gloretta Baynes, "Hope for Haiti"
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Image Gallery
Carol Iskols Daynard, “Stand Up”
Carol Iskols Daynard, “Latino Heritage,” Oil stick on cardboard, 14″ x36,” 2021
Ellen Jacob, from the series, “Immigrants: Amanda and Her Daughter,” Archival pigment print30” w x 40” h, 2017
Ellen Jacob, from the series “unSEEN: Bing,” Archival pigment print, 40” w x 26” h, 2021
L’Merchie Frazier, “Barricades: Living In The Calculus,” Nylon fiber, plastic caution tape, 45″ x 40,” 2022
L’Merchie Frazier, “Barricades: The Mathematics of Racism,” Nylon fiber, plastic caution tape, 45″ x 40,” 2021
Gloretta Baynes, “Haiti Victorious #2,” Pigment print on archival paper, 29″ x 29,” 2011
Gloretta Baynes, “Hope for Haiti,” Pigment print on archival paper, 30″ x 30,” 2011
Mary Harvey, “”Autumn Leaves in a Pandemic Collage,” Paper on canvas, 40” X 30”
Mary Harvey, ““A Tryptych of Japanese Ink on Paper,” (the beginnings of a book), Japanese ink on paper, 12” X 12”
Judith Carlin, “Is Anybody Out Threre?” Oil and acrylic on canvas, 24″ x 30,” 2020
Judith Carlin, “School Daze,” Freehand digital, archival ink on canvas, 32″ x 40,” 2022
Sasja Lucas, “The Beacon,” 72” x 50,” 2019
Sasja Lucas, “Tribal Worship,” Mixed media, charcoal drawing, 50” x “72, 2019
Hope Ricciardi, “Before the Lightning, Hermit’s Rest,” Oil on panel, 12” x 12”
Hope Ricciardi, “Dreams of Sacred Mountain, V Bar V Ranch, Sedona,” Oil on linen, 40” x 30”
![Ruth Rosner, "All She Carried [On the Journey]," part of the "Refugee Women" series, Sculpture: wire, ash clay, found fiber, rusted metal, wood, 38"h x 13"w x 12"d, 2021-2022](https://i0.wp.com/violencetransformed.com/wp-content/uploads/2023/05/2023_Retrospective_VT-Curators_ruthrosner-All-She-Carried-On-the-Journey-Refugee-Women-Series.jpg?ssl=1)
Ruth Rosner, “All She Carried [On the Journey],” part of the “Refugee Women” series, Sculpture: wire, ash clay, found fiber, rusted metal, wood, 38″h x 13″w x 12″d, 2021-2022
![Ruth Rosner, "Memory [What She Carried On the Journey]," part of the "Refugee Women" series, Sculpture: wire, ash clay, plaster, found objects, found rusted metal, 28"h x 14"w x 12"d, 2022](https://i0.wp.com/violencetransformed.com/wp-content/uploads/2023/05/2023_Retrospective_VT-Curators_ruthrosner-Memory-What-She-Carried-On-the-Journey-Refugee-Women-Series.jpg?ssl=1)
Ruth Rosner, “Memory [What She Carried On the Journey],” part of the “Refugee Women” series, Sculpture: wire, ash clay, plaster, found objects, found rusted metal, 28″h x 14″w x 12″d, 2022
Brenda Steinberg, “U.S. Government Reduction of Navajo Livestock in 1941 and 1942, #1″ Oil on canvas, 36″ x 36,” 2013
Brenda Steinberg, “U.S. Government Agency Reduction of Navajo Sheep in 1941 and 1942, #2,” Oil on canvas, 36″ x 36,” 2013
Ann Tobey, Ron Wilhelmsen, Ben Trites, Evie O’Conner, Megan Douglass, Lianne Hughes, Dan Puchala, Emily Harrington, Grace Werrett, Joy Holliday, Sherard Robbins, Amanda Baldaro, Jeanily Cruz, Dan Main, Rachel Peteet, “Ubuntu Is…,” Digital print on watercolor paper mounted on wood, 26” x 38,” completed 2011
Ron Wilhelmsen & Ann Tobey, “The Youth Speak,” Digital media, 2012
Walter Crump, “Look,” Pigment print, 9″ x 15,” 2021
Walter Crump, “Mother Tree”, Pinhole photograph/pigment print, 13” x 16,” 2022